Deus Ex: Mankind Divided is a first-person infiltration game. In most missions, and certainly in the game’s best missions, you’re given a target such as a file or a person and told to make your way into a secure area to get at it. It’s not a stealth game in a strict sense, since the remarkable thing about it is the amount of freedom you have to approach problems. Most people will likely avoid detection and silently eliminate guards, thugs and other enemies as necessary, but it’s equally viable to go loud and wipe out the whole security staff. Much like its predecessor, Human Revolution, you decide your playstyle by choosing which augmentations to invest in as you progress through the game. Stealthy players might want to run silently or visualise enemies’ fields of view, and more action-y players might want to turn their skin into armour or stabilise their weapons. Whatever combination of the twenty or so augmentations you invest in and upgrade, you’ll have to use them inventively to infiltrate facilities from huge corporate banks to small-time criminal warehouses. Deus Ex: Mankind Divided is a great game and a great sequel. It rectifies many of the problems with Human Revolution, which was already among my favourite games, and builds on its considerable strengths.
Dishonored’s DLC ‘The Knife of Dunwall’ has three missions. The story concludes in the third mission, but by the end of the second the action has reached its climax. The infiltration of the Timsh Estate, which closes out that mission, should rightly be celebrated among the great stealth sections of all time and it is the greatest single section in Dishonored. Your objectives are simple enough: break into the estate, steal Arnold Timsh’s will and kill or otherwise incapacitate him. In a mission with otherwise merely serviceable level design, however, the Timsh Estate is an intricate, confined environment which is a delight to explore and sneak through. It is easily the highlight of the whole DLC and from a mechanical perspective it’s a better conclusion that the poor third mission (entitled ‘The Surge’). It tests the player’s knowledge of the mechanics introduced thus far and, especially at higher difficulties where simply cutting enemies to ribbons isn’t an option, succeeds at something Dishonored rarely even attempts: making the player feel vulnerable. Someone seeing Dishonored for the first time in ‘The Surge’ or missions like ‘High Overseer Campbell’ in the main game could be forgiven for thinking Dishonored was an adaption of Batman. The Timsh Estate, though, forbids player from lurking in rafters or easily picking off its guards and to its credit it makes for a more thoughtful, tense experience.