I am an enormous murder mystery fan and I have a particular fondness for Agatha Christie. To date, I’ve read about ten of her books and across the whole selection I’ve found her a tireless innovator, always tinkering with the formula of the murder mystery. Novels like The Murder of Roger Ackroyd are famous for this, but even Murder on the Orient Express, likely her best known work, defies the usual routine of a murder followed by a systematic investigation, a dramatic confrontation and a satisfactory conclusion. In both of those novels, too, relatively archetypical characters are more vivacious and compelling than they have any right to be as mere mystery puzzle pieces. So I was excited to read Sparkling Cyanide, a novel I picked up for the price of a coffee.
I love the idea of government types in Stellaris. Encountering an empire which describes itself as a ‘Science Directorate’ is extremely evocative of the kind of society you’re dealing with. They add immensely Stellaris’ randomly generated AI opponents, ensuring you won’t face exactly the same threat twice. For the player, though, the choice is a neat way to give your empire a bit of identity, but the differences in government structure are too minor and governments in the same group too similar to really make you switch up your playstyle. In this post, I’ve gone through each government type and suggested ways they could be made more distinctive. I haven’t added or subtracted from the existing set, and I haven’t addressed the ‘effects’ of government types (for instance +20% naval capacity and -5% ship upkeep for military dictatorships) because I haven’t played enough of the game to venture to rebalance these. Some government types work as well as they can without major changes to the game: I’ve noted their name and given their in-game description nonetheless, but left them without comment.
Lorian & Lothric are bound to be Dark Souls III’s most controversial boss. You’ll call Lorian’s teleportation ‘cheap’ or ‘impossible to beat’ and die to it without really understanding it. You’ll hurl a controller across the room when you find out that you need to go back through phase one of Lorian’s fight to activate Lothric, even if you’ve beaten it before. And then, just when you think you’ve dodged the beam from Lorian’s sword you’ll be hit by Lothric’s magic homing arrow and keel over a few yards from victory. By the time you beat the boss, though, you’ll hopefully have an appreciation for its fantastic, fascinating design. The best Dark Souls bosses are those which at first appear impossible but, gradually, retry by retry, reveal weaknesses and openings and predictable patterns to exploit. Lorian & Lothric are Dark Souls III’s finest boss, and among the best bosses of the whole series.